WHEN: March 19, 20 & 21
TIME: 1-4 PM
COST: Members $165/ Non-members $175
This class focuses on the beauty found in a variety of cloud formations and sunlit skies. Contrasting the beauty of sunsets with the daytime cloud formations. Though this workshop is introductory, all interested, regardless of experience, are encouraged to attend and will be accommodated. Each session takes place within a relaxed and comfortable atmosphere. The instructor will do a demonstration each day
at the beginning of class.
SCHEDULE:
Day1:
- Introduction to the pastel, degrees of hardness
- Surface variety
- Picking a subject
- Demonstration: Bright Skies and Clouds
- Emphasis will be on basic drawing techniques and the introduction of color and value to the selected composition. Independent work on your own from reference photos, with instructor guidance.
Note: I encourage everyone to bring his or her own photos of skies and clouds. I will have plenty of reference photos on hand for those who need them.
Day 2:
- Review of previous day's learning, with sharing opportunity
- Demonstration: Sunset Skies and Clouds
- Independent work on your own with instructor guidance
Note: Bring your own photos of any sunsets. I will have plenty on hand as well.
Day 3:
- Demonstration: The Beauty of Reflection from the Sky
- Your choice: bring in a reference photo of any reflection in water (reference photos are available).
- Or -
- Continue working on a piece you have started and complete it
- Or -
- Any reference photo of your choice
- Closing thoughts..evaluation...thank you
MATERIALS LIST:
- 1 set of soft pastels, be sure they are NOT oil pastel (If a beginner, I suggest least expensive pastels)
- Pencil, preferably a soft drawing pencil (however #2 will work)
- A masonite board cut 14x16 (this can also be plywood or any other kind of wood - I suggest not too thick for weight purposes)
- Small hinged clips to attach paper to board (masking tape also works)
- Surfaces: Strathmore Pastel Paper (or Charcoal Paper). 11x14 or 12x16 is a good beginning surface. Pastelboard is an excellent surface, but can be a little pricey. I recommend 11x14 500 grit. UART is also an excellent surface, but as it will chew up soft pastels very quickly, I usually don't recommend it for those just beginning with pastels.
- Optional: portable easel, handiwipes, latex gloves, apron, smock
ABOUT THE INSTRUCTOR:
I have been working with soft pastels for over 40 years. I am continuously working at improving my technique and skill in using the medium. Although largely self-taught, I have participated in workshops conducted by nationally known artists and taken college art classes. I work on location as well as from my own photos in my home studio.
Home is Central New York State in suburban Syracuse. My wife and I have wintered in Morro Bay for several years, escaping the harsh New York winters. This also gives us the delight of visiting our daughter Bethany and grand twins, Miles and Jinora, who live in Concord, CA.
In addition to teaching both here and in New York State, I have won numerous awards at juried shows. My work can be found in private collections throughout the United States.
I view art making as a lifelong journey, filled with continuous learning experiences. I have found that every piece of work I produce represents a new learning experience, which I enjoy sharing with others.
Greg Trombly, pastel artist
Baldwinsville, N.Y.
gtrombly@twcny.rr.com