WORKSHOPS

WHEN: March 19, 20 & 21
TIME: 1-4 PM
COST: Members $165/ Non-members $175

This class focuses on the beauty found in a variety of cloud formations and sunlit skies. Contrasting the beauty of sunsets with the daytime cloud formations. Though this workshop is introductory, all interested, regardless of experience, are encouraged to attend and will be accommodated. Each session takes place within a relaxed and comfortable atmosphere. The instructor will do a demonstration each day
at the beginning of class.

SCHEDULE:

Day1:

• Introduction to the pastel, degrees of hardness
• Surface variety
• Picking a subject
• Demonstration: Bright Skies and Clouds
• Emphasis will be on basic drawing techniques and the introduction of color and value to the selected composition. Independent work on your own from reference photos, with instructor guidance.

Note: I encourage everyone to bring his or her own photos of skies and clouds. I will have plenty of reference photos on hand for those who need them.

Day 2:

• Review of previous day's learning, with sharing opportunity
• Demonstration: Sunset Skies and Clouds
• Independent work on your own with instructor guidance

Note: Bring your own photos of any sunsets. I will have plenty on hand as well.

Day 3:

• Demonstration: The Beauty of Reflection from the Sky
• Your choice: bring in a reference photo of any reflection in water (reference photos are available).

- Or -

• Continue working on a piece you have started and complete it

- Or -

• Any reference photo of your choice
• Closing thoughts..evaluation...thank you

MATERIALS LIST:

• 1 set of soft pastels, be sure they are NOT oil pastel (If a beginner, I suggest least expensive pastels)
• Pencil, preferably a soft drawing pencil (however #2 will work)
• A masonite board cut 14x16 (this can also be plywood or any other kind of wood - I suggest not too thick for weight purposes)
• Small hinged clips to attach paper to board (masking tape also works)
• Surfaces: Strathmore Pastel Paper (or Charcoal Paper). 11x14 or 12x16 is a good beginning surface. Pastelboard is an excellent surface, but can be a little pricey. I recommend 11x14 500 grit. UART is also an excellent surface, but as it will chew up soft pastels very quickly, I usually don't recommend it for those just beginning with pastels.
• Optional: portable easel, handiwipes, latex gloves, apron, smock

ABOUT THE INSTRUCTOR:

I have been working with soft pastels for over 40 years. I am continuously working at improving my technique and skill in using the medium. Although largely self-taught, I have participated in workshops conducted by nationally known artists and taken college art classes. I work on location as well as from my own photos in my home studio.

Home is Central New York State in suburban Syracuse. My wife and I have wintered in Morro Bay for several years, escaping the harsh New York winters. This also gives us the delight of visiting our daughter Bethany and grand twins, Miles and Jinora, who live in Concord, CA.

In addition to teaching both here and in New York State, I have won numerous awards at juried shows. My work can be found in private collections throughout the United States.

I view art making as a lifelong journey, filled with continuous learning experiences. I have found that every piece of work I produce represents a new learning experience, which I enjoy sharing with others.

Greg Trombly, pastel artist
Baldwinsville, N.Y.
gtrombly@twcny.rr.com

WHEN: May 9 - 11, 2025
SIGNUP DEADLINE: April 2, 2025
COST: $450 members / $465 non-members

Scott is an award-winning artist known for his plein air work in oils. As a native Californian Scott has lived most of his life in and around the ocean and mountains of California and has captured the beauty found along the coastal and inland areas of California in his paintings.

Scott’s paintings have been juried into numerous exhibitions and shows throughout the country. He is honored to have his work in private collections throughout the U.S. and abroad. He regularly holds Plein Air Workshops in the United States and abroad. See his website: scotthamillart.com

RECENT JURIED SHOWS / MEMBERSHIPS:
⋅ Laguna Plein Air Painting Invitational
⋅ Sonoma Plein Air Festival
⋅ Carmel Art Festival
⋅ Gold Medal Exhibitions – multiple years California Art Club
⋅ Best of Plein Air - Laguna
⋅ Plein Air Painters Association
⋅ Plein Air Convention and Expo
⋅ Invited Faculty - California Art Club – Artist Member
⋅ Signature member of the Laguna Plein Air Painter's association
⋅ Oil Painters of America        ⋅ American Society of Marine Artists

All registered participants will receive detailed information on suggested materials to bring for the workshop and a list of recommended hotels for those coming from out-of-town.

PLEASE NOTE: A full refund will be considered for any cancellation up to one month prior to the Workshop providing there is someone on the waiting list available to take your spot. If there are no waiting list participants to take your place, a refund will be given less $100.